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The Real Life of the Parthenon (21st Century Essays), by Patricia Vigderman
Free Download The Real Life of the Parthenon (21st Century Essays), by Patricia Vigderman
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Review
“Part memoir, part travelogue and part musing on cultural patrimony, her new book is a voyage around the ancient world in which she examines the issues raised by the migration of art in the modern era.” —The New York Times "Patricia Vigderman’s The Real Life of the Parthenon uses Grecian sites as vehicles to explore the meaning that historical artifacts bring to their nations of origin and to the foreign lands that lay claim to them. . . . Vigderman turns her deep, wide knowledge of culture and artifacts to a discussion that’s too long lacked honesty, clarity of vision, and compassion.” —Foreword Reviews “The work is a sequence of beautifully interwoven meditations. Like any wide-awake traveler, Ms. Vigderman asks questions. . . . Owing to bravura writing, this book is as rewarding for an armchair traveler as for a first-time or seasoned one.” —The Wall Street Journal “The nimble narrative of Patricia Vidgerman’s The Real Life of the Parthenon. . . traces out this history [of the Elgin marbles] in a very winning personal account. . . . Too smart to come down on one side of this famously contentious dispute, she offers a subtle dialectical analysis.” —Hyperallergic“Ms. Vigderman’s polished prose is never vague; it never gropes, nor does it disappoint.” —The Wall Street Journal“In these richly informed and intensely personal meditations on art and history, Patricia Vigderman traces the life of our classical heritage through the centuries and shows its continuing vitality and significance in the present. Written with equal sensitivity to political debates and aesthetic beauty, The Real Life of the Parthenon deepens our understanding of how the imagination shapes and transforms the past—and how the deep past informs and shapes the imagination of the present.” —Eva Hoffman, author of Lost in Translation and Time “In her elegant meditation on beauty and ruin, on the tangled tale of the loss and retrieval of classical artifacts of the West, Patricia Vigderman has fashioned a passionate travelogue that holds in balance long history and our present political moment. Her pilgrimage is a welcome inquiry into cultural ownership and imperial presumption, enlivened with vivid personal responses to art and landscape, searching considerations of celebrated earlier fellow travelers (Goethe, Henry James, Virginia Woolf) as well as lesser known figures—historians, photographers, and contemporary archeologists and curators. She brings them all vividly into her exploration of our relation to a shared, often contentious past. Her eye is by turns acute and tender, always keen. One of those rare books that takes a single subject and refracts it into a world.”—Patricia Hampl
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About the Author
Patricia Vigderman is Assistant Professor of English at Kenyon College. She is the author of Possibility: Essays Against Despair and The Memory Palace of Isabella Stewart Gardner.
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Product details
Series: 21st Century Essays
Paperback: 200 pages
Publisher: Mad Creek Books; 1 edition (January 24, 2018)
Language: English
ISBN-10: 0814254586
ISBN-13: 978-0814254585
Product Dimensions:
5.5 x 0.5 x 8.5 inches
Shipping Weight: 10.6 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#856,069 in Books (See Top 100 in Books)
The author recounts her visits to the Parthenon, the Elgin Marbles in the British Museum and ancient sites across Italy and museums like the Met and the Getty often walking in the steps of Goethe in his Italian Journey while she traverses that peninsula while postulating the whole time on who really owns antiquities with specific attention on the Parthenon marbles, the so called Elgin Marbles.
Wonderful essays. Just visited the Getty and big fan of The Met and British Museum
too much details and feelings without substance
I learned a lot about the ancient world in this book -- but more interestingly I was drawn into deeper reflection about art and us. How do we respond to art? How do you? How do I? One big question the book hinges on is the whereabouts of art, specifically Greek and Roman art, mostly outdoor art which is now protected from the elements indoors, as are the Elgin marbles in the British Museum in London. Should museums in other countries have examples of art from ancient Greece and Rome? Is this how our culture is helped along from generation to generation among people who may never get to Greece or Italy? Will it open young minds to the past? Or should the art go home, as did a colossal Aphrodite from the Getty Museum in California. She went home to inland Sicily and rejuvenated her home town.If you have ever been to Athens or to Pompeii, or to Sicily this book will take you back again.If you've never been to those places, the anecdotal style of the writing will have you sitting with the author and her husband on a broken stonewall eating sandwiches made up of breakfast left-overs in the hotel. It is a charming and engaging book, full of interest and insight.
A profound, lovely, and altogether wonderful meditation on our relationship to antiquity.
See the Wall Street Journal book review of this literary travel book on p. C7 of the 27-28 January 2018 issue for a fine analysis by Willard Spiegelman..
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